The group of girls skive off school together, get high, get their nails done and wear Nike Air Max 90s. Why not that she was left by her boyfriend but at least things could have been worse. Young as she is, Shaheeda is maturing as we watch her. By complaining about her mother, Shaheeda has given herself and all of us, all that we need in order to understand and sympathize with the older generation against whom she has spent her time railing. There is far more that we hold in common than that which should tear us apart. All women in plays, books and TV are remarkably fertile. But then she gets pregnant. Her light and energy pulse like the collection of paper lampshaded light bulbs above her head.
She has two best friends, she drinks, smokes weed and talks in slang. Much of this play is very funny, not least because the problems on show are not confined to Muslims, or indeed to any one group. In this respect, and in several others, The Diary of a Hounslow Girl describes the universalising similarities between teenage girls of all cultures and religions as much as it depicts the specifics of being British-Pakistani and a Muslim although it is also a compelling portrait of those too. This does not mean, that the two women will always be calm and composed. There is a moment in The Diary of a Hounslow Girl by Ambreen Razia that caused time temporarily to slow and the air in the Tobacco Factory to hang a little heavy, un-inhaled. When I remembered the article it started to fall in to place. There is never any question that she will keep it — although abortion is discussed with regard to one of her close friends, it is not raised as a possibility for Shaheeda — and instead of being angry towards the guy who keeps pissing off without a word, she tearfully confesses a need to just be loved. Equally, the only potential problem with the production also lies in the way Shaheeda is similar to so many other females, of all faiths and cultures, depicted on stage. And discussed they have been in recent years, so when the moment comes and Razia starts to slowly unwrap hers, there is a giant pause. When I worked in a school with a lot of Muslim pupils — mainly British-Somali — the girls would regularly take off their hijabs to re-do their hair underneath or to refasten the cloth. Second, it is indeed the story we always tell about women. But throughout the play Shaheeda forces herself to recognize the need for calm and fights an internal battle to achieve it. This is particularly odd considering that the link between religious observance and covering the body is no stranger to Christianity and the societies that grew out of it. Why not that she was left by her boyfriend but at least things could have been worse. I wanted anything but the same. The Diary of a Hounslow Girl 5. The female protagonist, a British-Pakistani teenage girl, unwrapped her hijab. Her light and energy pulse like the collection of paper lampshaded light bulbs above her head. We hear interjections from nine other characters of both genders, but they are all voiced, very convincingly, by the actress we can see. Which simply makes it too predictable. Young as she is, Shaheeda is maturing as we watch her. First, it seemed like a bit of cop out plot wise. I wanted a different ending for Shaheeda not just as a young British Muslim, but as a young female full stop. Shaheeda is sixteen years old. This really is an evening in the theatre that people should not miss.
Video about pay girl in hounslow:
Ambreen Razia talks #HounslowGirl on Channel 4 News
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