Because these days, rappers can do all those things, too. Is it any good? Other parts remind me of Godflesh — these huge, towering, processed-to-hell guitars pounding and pounding. Ghostemane has found his place on one wing of that scene: Right now, the thing that aging rap critics like me are trying to figure out is SoundCloud rap, the bubbling-over scene of face-tatted miscreants who make screamy, gurgly lo-fi depression-music and who have built a whole thriving, devoted scene around it. The eerie organ and the frantic pace and the perfectly-placed Meek guest verse and the general sense of urgency all add up to something. Prior to the show, I had some anxiety but mostly excitement in regards to the venue. Not that you could leave if you wanted to, as we were all cramped together like cows to the slaughter, unable to move most of the time. At his shows, people mosh furiously.
But after seeing him live earlier this week, I learned something: But I also understood that that makes for an awesome show. Last year, Peep and Ghostemane were in a group called the Schema Posse together, but they broke up before I ever heard of either one of them. Sadly, however, I came out with no injuries other than a sore jaw. Given all this, Ghostemane should be some feverish, intense Bandcamp bedroom-noise kid, a mysterious figure who posts globs of raw sound online and maintains a studiously mysterious public image. I believe that, in hip-hop, eschewing technical ability in favor of raw energy is fine, but you have to be good at it and you have to do it in a unique manner. I got in a screaming match with some girthy bald dude, which was also pretty cool. But I find myself hating many more: At his shows, people mosh furiously. His logo looks like a black metal logo, his cover art looks like black metal cover art, and in one of his most recent videos, he wears corpsepaint. I finally learned to appreciate Lil Pump after that. Three fights broke out. Right now, the thing that aging rap critics like me are trying to figure out is SoundCloud rap, the bubbling-over scene of face-tatted miscreants who make screamy, gurgly lo-fi depression-music and who have built a whole thriving, devoted scene around it. That is also a possibility. Ghostemane has found his place on one wing of that scene: After that, we all shuffled out, drenched in sweat and, some of us, blood. He sounds lobotomized on all his tracks, and the beats he raps over are trite. The figure he most resembles might be Lil Peep, another face-tatted white kid who only rarely raps and who seems to be working from many of the same references. Ghostemane produces and releases his own music, fusing raspy black metal textures with juddering industrial low-end and frantic hardcore howling. We were sure to arrive a couple hours early to score a spot towards the front, but, to our chagrin, we discovered there were already many people who had beaten us. It was small and dank, perfect for a punk rock style show. Because these days, rappers can do all those things, too. Other parts remind me of Godflesh — these huge, towering, processed-to-hell guitars pounding and pounding. The combination just works. Ghostemane lashes out with it.
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Pouya , Fat Nick , Ghostemane bring out Night Lovell in Montreal
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